Tarzan is one of few Disney stories centered on a male
character; however, this does not mean it is rid of gender stereotypes. The
story follows Tarzan, a boy raised by gorillas, and his first contact with
other humans. Despite limited human characters, and the title character being a
male separated from society, gender stereotypes are still perpetuated. The
movie, for the most part, shows women to be weak, and dependent, relying on a
man to save them and support them.
The
main female protagonist in the movie is a researcher, named Jane, in search
of gorillas to study. Despite the purpose of the journey being to travel to the
jungle and meander through dense vegetation, Jane is shown wearing a bright
yellow hoop skirt in the beginning of her journey. Initially, Jane is often
shown to be in danger or overwhelmed; only to be saved by Tarzan or her guide
Clayton.
Here Jane is shown to be unable to defend herself. She is on
the ground looking up helplessly. This defenseless position parallels the
stereotypes portrayed about the weakness and helplessness of women in Goffman’s
codes of gender. After being saved by
Tarzan, Jane exhibits further stereotypes of Goffman’s codes of gender, as she
swoons over Tarzan as she recants the story to her father.
Gender stereotypes in the film are not limited to the female
characters. The male characters of the story perpetuate stereotypes as well; always
showing to be dominant and strong, coming to the aid of the damsel in distress.
Jane’s
guide, Clayton, is shown to be the big and strong protector of his helpless companion.
Clayton fulfills the stereotype of the typical gender role of the man as shown
by Goffman. He stands upright, confident and strong, never showing the feminine
weakness of his companion. He solves all his problems with a gun, and he shows ruthlessness in the pursuit of accomplishing his own goals.
Tarzan also depicts many typical male stereotypes as
described by Goffman. He is strong and shows his dominance through physical
prowess and displays of strength. Tarzans primitive nature is reflected in his
posture; however, he puffs his chest out to show the same positions as
described by Goffman asserting masculinity and male dominance. Tarzan does not show the same ruthless ambition as Clayton, but he uses his strength to assert his masculinity and to serve as the classicly male symbol of the protector.
Both male characters are shown as protective figures over
the weaker incapable female. This assentation follows suit with Goffman’s
observations of the advertised male and view of masculinity, as well as the corresponding
views of the advertised female. This trend is present through the majority of
the movie, until the end. In the end of the film, Jane goes against gender
norms and saves a helpless Tarzan, showing a reversal of roles.
This reversal in roles marks a shift in Jane. She no longer
perpetuates gender norm, but goes against Goffman’s idea of the weak and
subdued female that is expected by society. Jane proves to be strong and
capable of the same feats of strength that punctuated Tarzan’s masculinity;
however, this does not free her of other gender norms.
This shows despite Jane proving not to be dependent or
Tarzan to save and protect her, she is still depicted in the unstable canting
position, conforming to the female gender norms she had just gone against.
Though some attempts are made to go against gender norm, the depiction of
gender in this film is consistent with Goffman’s Codes of Gender.
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